The history of modern art begins with Impressionism, a movement started in Paris in the mid-1800’s. At that time many artists painted in a very traditional way that involved spending hours in a studio, painstakingly (辛苦地) creating paintings that were extremely detailed. These paintings were sometimes of people or landscapes or historical events. In 1863, Edouard Manet exhibited his painting “Dejeuner sur l’erbe” at the Salon des Refuses. The painting caused a commotion (騷動), thus starting the Impressionist movement. Although Edouard Manet is the declared leader and founder of the group, he was not present at the first group exhibition or any of the other eight collective Impressionist shows. The movement gained more attention in the April of 1874 when Claude Monet, Auguste Renoir, Alfred Sisley, and Jean-Frédéric Bazille formed Society of Artists, Painters, Sculptors, Engravers and began exhibiting outside of the official salon. The same year, the term Impressionism was invented by criticizing (批評的) journalist Louis Leroy to describe their paintings, who worked for the magazine Le Charivari.
The Impressionists often paint out of doors and want to show how light and shadow fall on objects at particular times of the day. Their works are sometimes described as “captured moments” and are characterized by short quick brushstrokes (筆) of colour which, when viewed up close looks quite messy and unreal. If we step back from the Impressionist paintings, the colours are blended together by our eyes and we are able to see the painters’ subjects which often show colourful landscapes, sunlight on water as well as people busy with outdoor activities

  1. 1.

    Before Impressionism, the works of artists were         

    1. A.
      quite abstract
    2. B.
      very confusing
    3. C.
      very detailed
    4. D.
      quite controversial
  2. 2.

    Who first started Impressionism? ___________

    1. A.
      Claude Monet
    2. B.
      Edouard Manet
    3. C.
      Auguste Renoir
    4. D.
      Alfred Sisley
  3. 3.

    The works of the Impressionists are best viewed         

    1. A.
      with imagination
    2. B.
      at a distance
    3. C.
      outdoors
    4. D.
      in a studio
  4. 4.

    The second paragraph is mainly about ______

    1. A.
      the painting style of the Impressionists
    2. B.
      how to describe the Impressionist paintings
    3. C.
      the influences of the Impressionist paintings
    4. D.
      the subjects of the Impressionist paintings
CBBA
試題分析:本文介紹印象派繪畫的起源和印象派畫家的繪畫風(fēng)格。
1.細(xì)節(jié)題:從第一段的句子:At that time many artists painted in a very traditional way that involved spending hours in a studio, painstakingly (辛苦地) creating paintings that were extremely detailed. 可知在印象派之前,藝術(shù)家的作品是很詳細(xì)的。選C
2.細(xì)節(jié)題:從第一段的句子:In 1863, Edouard Manet exhibited his painting “Dejeuner sur l’erbe” at the Salon des Refuses. The painting caused a commotion (騷動), thus starting the Impressionist movement.可知是Edouard Manet 開創(chuàng)了印象派。選B
3.細(xì)節(jié)題:從最后一句話:If we step back from the Impressionist paintings, the colours are blended together by our eyes and we are able to see the painters’ subjects which often show colourful landscapes, sunlight on water as well as people busy with outdoor activities.可知印象派作品要離遠(yuǎn)一點才能看清。選B
4.推理題:從第二段的句子:The Impressionists often paint out of doors and want to show how light and shadow fall on objects at particular times of the day. Their works are sometimes described as “captured moments” and are characterized by short quick brushstrokes (筆) of colour which,可知這段講的印象派畫家的繪畫風(fēng)格。選A
考點:考查藝術(shù)類短文
點評:本文介紹印象派繪畫的起源和印象派畫家的繪畫風(fēng)格。本文所設(shè)試題主要考察細(xì)節(jié)查找,對于文章中的細(xì)節(jié)題,要注意文本內(nèi)容的理解。關(guān)鍵是找出原文的根據(jù),認(rèn)真核查題支和原文的異同,常犯錯誤有:絕對化語言,范圍擴大或縮小,以偏概全,張冠李戴等。帶著問題,再讀全文,找出答題所需要的依據(jù),完成閱讀。
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