Madonna Expresses Herself

I know this was over，but it’s like last week in Spain.For some strange reason，I fail to realize the first leg of the tour during the raining season in Japan.So it’s very strange that the dancers prefer the show in the heavy rain.They were so excited to be performing for the audience that the world could be boiling up and they wouldn’t be frightened.Malisha，my assistant became my only way to the outside world.I think in a lot of ways in New York，the time I spent when I was sick was the hardest on her.And since I was staying in my own apartment in New York，I lost my contact with my dancers completely.

Oh，Los Angeles was hard in that way.I mean I’ve always found it’s a little tiring to be among famous people just because you are famous too.It can cause a lot of trouble.Detroit was definitely the hardest place we went to on the tour.You know people always talk about how stars change you but they never talk about how it can change people that cause them.I hadn’t been to the cemetery since I was a young girl.I used to go right after she died.I don’t know my mother’s death is just a big mystery to me when I was a child.No one really explained it to me.So what I remembered most about my mother was that she was very kind and very gentle and very feminine.I mean，I don’t know，I guess，she just seems like an angel to me，but I suppose everybody thinks their mother is an angel when they are five.I also know she was very religious，so I never really understood why she was taken away from us.It just seems so unfair，I never thought that she’d done something wrong.So often，at times I wonder what I have done wrong.

1．Madonna’s tour was in the following order：________.

A．Spain—New York—Japan—Los Angeles—Detroit

B．Spain—Japan—New York—Los Angeles—Detroit

C．Japan—Spain—New York—Detroit—Los Angeles

D．Japan—New York—Spain—Detroit—Los Angeles

2．The underlined word “l(fā)eg” in this passage probably means “________”．

A．stop 　　　　 B．chance　　　　　 C．suffering 　　　 D．performance

3．What does Madonna think of her own life?

A．She is famous all over the world and she lives a very comfortable life.

B．Her life is interesting and colorful and she is admired by anyone else.

C．Although she is very tired，she can tour many places and earn much money.

D．Her life is tiring and hard and she can’t easily contact with the outside world.

4．In Madonna’s opinion，it is fair that ________ have died.

A．people who had done something wrong must

B．people who hadn’t done anything wrong shouldn’t

C．her mother who hadn’t done anything wrong shouldn’t

D．she who had done something wrong should

 

1. 答案　B

解析　通讀全文即可找到麥當(dāng)娜的行程：Spain—Japan—New York—Los Angeles—Detroit。

2. 答案　D

解析　由第一段中“I fail to realize...So it’s very strange...”推斷，leg此處指“表演；舞蹈”。

3. 答案　D

解析　第一段最后幾句描述的是她幾乎與世隔絕的生活。

 

4.答案　C

解析　從最后一段倒數(shù)第二句“so I never really understood why she was taken away from us.It just seems so unfair...”可知。

 

練習(xí)冊(cè)系列答案
相關(guān)習(xí)題

科目：高中英語(yǔ) 來(lái)源：2013屆浙江省金華一中高三4月月考英語(yǔ)試卷（帶解析） 題型：閱讀理解

Last week Adele's second album, 21, sold 257,000 copies in the UK, a sales figure that would look incredible as an opening sales week for any album by any global superstar. The fact that the album was celebrating its 10th week at No.1, and that each of the previous nine weeks it had sold over 100,000 copies, makes what Adele has achieved look miraculous. The last female singer to spend that long at No.1 in the UK was Madonna in 1990 with her greatest hits compilation, The Immaculate Collection.
For Adele, the success of 21 is part of a perfect storm of talent, timing and a connection that went beyond gender, age and credibility. But what does it say about the state of the music industry? Does Adele's success signal a return to the MOR(適合大眾口味的音樂(lè)) musical depression, when the likes of James Blunt dominated the charts? Her success may well lead to a great many similar acts aiming for an MOR audience, but that's more the fault of an industry desperate to recreate any kind of success by creating poor copies until the world shouts "stop now".
What seems to have set Adele apart is her apparent ordinariness, besides that incredible voice. While Gaga parades around in a dress made of meat and Beyonce orbits a world out of touch to the majority of most human beings, Adele's chain-smoking, girl-you'd-like-to-go-to-the-pub-with persona stands out. Even for a British act, her ordinariness goes against trend, with fellow Jessie J adopting a very American habit of over-emoting, talking about a "journey" and making the idea of being a pop star seem fairly difficult.
It's this universality and broad appeal that's helped her translate talent into sales. While the first single from 21, Rolling in the Deep, appealed to Radio 1 listeners and bloggers, the second single, Someone Like You, is so successful that silenced the grand O2 Arena during this year's Brit Awards. The press can write pages and pages in that there's enough of a connection of musicians – Rick Rubin worked on the album, there's a cover of the Cure, Mumford & Sons were an influence – while the gossip magazines have been excited by the fact that the album is one long break-up record, eager to find the ex.
In 1990, Madonna was a global superstar with a back catalogue of era-defining hits to her name. She was untouchable and, tellingly, unknowable. She was (and still is) a megastar, but a megastar of a different age. These days, we want to know a bit more about our artists; that they have relationship problems, walk their dog. Her selling point and appeal is precisely the fact that she exists at the point between everyday ordinariness and pop star.
For now, Adele's success should be celebrated, especially for becoming an unlikely global star on her own terms. The danger is that we're headed for a lot of fairly boring pop, a situation that led to the "birth" of Gaga a few years back. Pop goes in cycles and it feels like we're headed back towards the very middle of MOR.
【小題1】Adele’s achievement seems unbelievable for the reason that ____________.

A．the sales of her second album achieved an incredible success last week in the UK
B．her second album ranked first in a row with the incredible average sales per week
C．Madonna was the last female singer in the UK to stay at No. 1 as long as she did
D．she is such an ordinary singer with so fascinating a voice in the music industry
【小題2】According to the author, the success of Adele’s second album __________________.
A．to a large extent depends on her apparent talent for music
B．is because of her extraordinariness and the wonderful voice
C．lies in gift, timing and something beyond sex, age and trust
D．is largely due to the state of the music industry currently
【小題3】Compared with other female pop stars, what does the author think of Adele?
A．She stands out in a totally different way from Gaga and Beyonce.
B．She and Madonna are contemporary megastars in music.
C．Only she and Madonna spent that long at No.1 in the UK.
D．Jessie J and she both have an American habit of expressing themselves.
【小題4】What helped Adele successfully turned her gift of singing into sales?
A．Her musical talent.
B．The joint work of musicians in the album.
C．Her incredible voice.
D．Her universality and broad appeal.
【小題5】The author thinks that the current musical trend in the UK is _______________.
A．satisfyingB．disappointingC．dangerousD．desperate

查看答案和解析>>

科目：高中英語(yǔ) 來(lái)源：2012-2013學(xué)年浙江省高三4月月考英語(yǔ)試卷（解析版） 題型：閱讀理解

Last week Adele's second album, 21, sold 257,000 copies in the UK, a sales figure that would look incredible as an opening sales week for any album by any global superstar. The fact that the album was celebrating its 10th week at No.1, and that each of the previous nine weeks it had sold over 100,000 copies, makes what Adele has achieved look miraculous. The last female singer to spend that long at No.1 in the UK was Madonna in 1990 with her greatest hits compilation, The Immaculate Collection.

For Adele, the success of 21 is part of a perfect storm of talent, timing and a connection that went beyond gender, age and credibility. But what does it say about the state of the music industry? Does Adele's success signal a return to the MOR(適合大眾口味的音樂(lè)) musical depression, when the likes of James Blunt dominated the charts? Her success may well lead to a great many similar acts aiming for an MOR audience, but that's more the fault of an industry desperate to recreate any kind of success by creating poor copies until the world shouts "stop now".

What seems to have set Adele apart is her apparent ordinariness, besides that incredible voice. While Gaga parades around in a dress made of meat and Beyonce orbits a world out of touch to the majority of most human beings, Adele's chain-smoking, girl-you'd-like-to-go-to-the-pub-with persona stands out. Even for a British act, her ordinariness goes against trend, with fellow Jessie J adopting a very American habit of over-emoting, talking about a "journey" and making the idea of being a pop star seem fairly difficult.

It's this universality and broad appeal that's helped her translate talent into sales. While the first single from 21, Rolling in the Deep, appealed to Radio 1 listeners and bloggers, the second single, Someone Like You, is so successful that silenced the grand O2 Arena during this year's Brit Awards. The press can write pages and pages in that there's enough of a connection of musicians – Rick Rubin worked on the album, there's a cover of the Cure, Mumford & Sons were an influence – while the gossip magazines have been excited by the fact that the album is one long break-up record, eager to find the ex.

In 1990, Madonna was a global superstar with a back catalogue of era-defining hits to her name. She was untouchable and, tellingly, unknowable. She was (and still is) a megastar, but a megastar of a different age. These days, we want to know a bit more about our artists; that they have relationship problems, walk their dog. Her selling point and appeal is precisely the fact that she exists at the point between everyday ordinariness and pop star.

For now, Adele's success should be celebrated, especially for becoming an unlikely global star on her own terms. The danger is that we're headed for a lot of fairly boring pop, a situation that led to the "birth" of Gaga a few years back. Pop goes in cycles and it feels like we're headed back towards the very middle of MOR.

1.Adele’s achievement seems unbelievable for the reason that ____________.

A．the sales of her second album achieved an incredible success last week in the UK

B．her second album ranked first in a row with the incredible average sales per week

C．Madonna was the last female singer in the UK to stay at No. 1 as long as she did

D．she is such an ordinary singer with so fascinating a voice in the music industry

2.According to the author, the success of Adele’s second album __________________.

A．to a large extent depends on her apparent talent for music

B．is because of her extraordinariness and the wonderful voice

C．lies in gift, timing and something beyond sex, age and trust

D．is largely due to the state of the music industry currently

3.Compared with other female pop stars, what does the author think of Adele?

A．She stands out in a totally different way from Gaga and Beyonce.

B．She and Madonna are contemporary megastars in music.

C．Only she and Madonna spent that long at No.1 in the UK.

D．Jessie J and she both have an American habit of expressing themselves.

4.What helped Adele successfully turned her gift of singing into sales?

A．Her musical talent.

B．The joint work of musicians in the album.

C．Her incredible voice.

D．Her universality and broad appeal.

5.The author thinks that the current musical trend in the UK is _______________.

A．satisfying          B．disappointing       C．dangerous         D．desperate

 

查看答案和解析>>

科目：高中英語(yǔ) 來(lái)源： 題型：閱讀理解

Last week Adele's second album, 21, sold 257,000 copies in the UK, a sales figure that would look incredible as an opening sales week for any album by any global superstar. The fact that the album was celebrating its 10th week at No.1, and that each of the previous nine weeks it had sold over 100,000 copies, makes what Adele has achieved look miraculous. The last female singer to spend that long at No.1 in the UK was Madonna in 1990 with her greatest hits compilation, The Immaculate Collection.
For Adele, the success of 21 is part of a perfect storm of talent, timing and a connection that went beyond gender, age and credibility. But what does it say about the state of the music industry? Does Adele's success signal a return to the MOR(適合大眾口味的音樂(lè)) musical depression, when the likes of James Blunt dominated the charts? Her success may well lead to a great many similar acts aiming for an MOR audience, but that's more the fault of an industry desperate to recreate any kind of success by creating poor copies until the world shouts "stop now".
What seems to have set Adele apart is her apparent ordinariness, besides that incredible voice. While Gaga parades around in a dress made of meat and Beyonce orbits a world out of touch to the majority of most human beings, Adele's chain-smoking, girl-you'd-like-to-go-to-the-pub-with persona stands out. Even for a British act, her ordinariness goes against trend, with fellow Jessie J adopting a very American habit of over-emoting, talking about a "journey" and making the idea of being a pop star seem fairly difficult.
It's this universality and broad appeal that's helped her translate talent into sales. While the first single from 21, Rolling in the Deep, appealed to Radio 1 listeners and bloggers, the second single, Someone Like You, is so successful that silenced the grand O2 Arena during this year's Brit Awards. The press can write pages and pages in that there's enough of a connection of musicians – Rick Rubin worked on the album, there's a cover of the Cure, Mumford & Sons were an influence – while the gossip magazines have been excited by the fact that the album is one long break-up record, eager to find the ex.
In 1990, Madonna was a global superstar with a back catalogue of era-defining hits to her name. She was untouchable and, tellingly, unknowable. She was (and still is) a megastar, but a megastar of a different age. These days, we want to know a bit more about our artists; that they have relationship problems, walk their dog. Her selling point and appeal is precisely the fact that she exists at the point between everyday ordinariness and pop star.
For now, Adele's success should be celebrated, especially for becoming an unlikely global star on her own terms. The danger is that we're headed for a lot of fairly boring pop, a situation that led to the "birth" of Gaga a few years back. Pop goes in cycles and it feels like we're headed back towards the very middle of MOR

  1. 1.

    Adele’s achievement seems unbelievable for the reason that ____________

    1. A.
      the sales of her second album achieved an incredible success last week in the UK
    2. B.
      her second album ranked first in a row with the incredible average sales per week
    3. C.
      Madonna was the last female singer in the UK to stay at No. 1 as long as she did
    4. D.
      she is such an ordinary singer with so fascinating a voice in the music industry
  2. 2.

    According to the author, the success of Adele’s second album __________________

    1. A.
      to a large extent depends on her apparent talent for music
    2. B.
      is because of her extraordinariness and the wonderful voice
    3. C.
      lies in gift, timing and something beyond sex, age and trust
    4. D.
      is largely due to the state of the music industry currently
  3. 3.

    Compared with other female pop stars, what does the author think of Adele?

    1. A.
      She stands out in a totally different way from Gaga and Beyonce
    2. B.
      She and Madonna are contemporary megastars in music
    3. C.
      Only she and Madonna spent that long at No.1 in the UK
    4. D.
      Jessie J and she both have an American habit of expressing themselves
  4. 4.

    What helped Adele successfully turned her gift of singing into sales?

    1. A.
      Her musical talent
    2. B.
      The joint work of musicians in the album
    3. C.
      Her incredible voice
    4. D.
      Her universality and broad appeal
  5. 5.

    The author thinks that the current musical trend in the UK is _______________

    1. A.
      satisfying
    2. B.
      disappointing
    3. C.
      dangerous
    4. D.
      desperate

查看答案和解析>>

科目：高中英語(yǔ) 來(lái)源： 題型：閱讀理解

Last week Adele's second album, 21, sold 257,000 copies in the UK, a sales figure that would look incredible as an opening sales week for any album by any global superstar. The fact that the album was celebrating its 10th week at No.1, and that each of the previous nine weeks it had sold over 100,000 copies, makes what Adele has achieved look miraculous. The last female singer to spend that long at No.1 in the UK was Madonna in 1990 with her greatest hits compilation, The Immaculate Collection.

For Adele, the success of 21 is part of a perfect storm of talent, timing and a connection that went beyond gender, age and credibility. But what does it say about the state of the music industry? Does Adele's success signal a return to the MOR(適合大眾口味的音樂(lè)) musical depression, when the likes of James Blunt dominated the charts? Her success may well lead to a great many similar acts aiming for an MOR audience, but that's more the fault of an industry desperate to recreate any kind of success by creating poor copies until the world shouts "stop now".

What seems to have set Adele apart is her apparent ordinariness, besides that incredible voice. While Gaga parades around in a dress made of meat and Beyonce orbits a world out of touch to the majority of most human beings, Adele's chain-smoking, girl-you'd-like-to-go-to-the-pub-with persona stands out. Even for a British act, her ordinariness goes against trend, with fellow Jessie J adopting a very American habit of over-emoting, talking about a "journey" and making the idea of being a pop star seem fairly difficult.

It's this universality and broad appeal that's helped her translate talent into sales. While the first single from 21, Rolling in the Deep, appealed to Radio 1 listeners and bloggers, the second single, Someone Like You, is so successful that silenced the grand O2 Arena during this year's Brit Awards. The press can write pages and pages in that there's enough of a connection of musicians – Rick Rubin worked on the album, there's a cover of the Cure, Mumford & Sons were an influence – while the gossip magazines have been excited by the fact that the album is one long break-up record, eager to find the ex.

63．Adele’s achievement seems unbelievable for the reason that ____________.

A. the sales of her second album achieved an incredible success last week in the UK

B. her second album ranked first in a row with the incredible average sales per week

C. Madonna was the last female singer in the UK to stay at No. 1 as long as she did

D. she is such an ordinary singer with so fascinating a voice in the music industry

64．According to the author, the success of Adele’s second album __________________.

A. to a large extent depends on her apparent talent for music          

B. is because of her extraordinariness and the wonderful voice

C. lies in gift, timing and something beyond sex, age and trust

D. is largely due to the state of the music industry currently

65．Compared with other female pop stars, what does the author think of Adele?

A. She stands out in a totally different way from Gaga and Beyonce.

B. She and Madonna are contemporary megastars in music.

C. Only she and Madonna spent that long at No.1 in the UK.

D. Jessie J and she both have an American habit of expressing themselves.

66．What helped Adele successfully turned her gift of singing into sales?

A. Her musical talent.                            

B. The joint work of musicians in the album.

C. Her incredible voice.                          

D. Her universality and broad appeal.

67．The author thinks that the current musical trend in the UK is _______________.

A. satisfying          B. disappointing       C. dangerous        D. desperate

查看答案和解析>>

同步練習(xí)冊(cè)答案