The Production Department can be a fun place to work in a TV station. It can also be quite stressful if the station broadcasts a significant amount of live programming. There can be a number of interesting positions in this department. Here is a list of the core ones:

The Production Manager heads the department, and is the person to contact if you are interested in working in this area. He or she oversees all activities in the studios, hires and fires workers, meets with customers who want to produce an advertisement, and monitors expense budgets for the department. The person in this position may also sometimes act as a Director, Producer, Camera Operator, or any other role in which they are proficient.

Directors lead the crew during a production session. Over a headset, the Director tells Camera Operators what shots to get and the Technical Director (TD) what audio and video to put on the air. Directors work closely with the Producer of each program, ensuring that the final product meets with the Producer’s demands.

A Technical Director is a master at “punching” up the correct video source. In other words, if the Director calls for camera one, the Technical Director puts camera one on the air. The TD sits in front of a massive board called a “swicher” during production sessions, which allows him or her to literally switch between video sources. Since this can be a high-pressure, fast-moving job, the best Technical Directors are people who can stay even-tempered and in control.

The Stage Manager is responsible for everything that goes on in the television studio. This person makes sure all of the equipment is in good working order, oversees the building and placement of all staging, and may even set the lighting for all productions. Really efficient Stage Managers take pride in their studios, and it would not be unusual to see this person sweeping the floor or cleaning the sets between productions. This is a leadership position, which often leads to promotion to the position of Production Manager.

1.According to the writer, working in the Production Department _______.

A.is an interesting experience

B.is always very stressful

C.needs much professional knowledge

D.is the best choice to work in a TV station

2.The Production Manager ______.

A.seldom takes part in producing programs

B.is also called “Producer”

C.usually trains new workers in person

D.is responsible to deal with advertisers

3.The Technical Director _______.

A.decides what shots to get

B.works closely with the Producer

C.meets the demands of Camera Operators

D.carries out the orders by the Director

 

【答案】

1.A

2.D

3.D

【解析】

試題分析:本文介紹了電視臺(tái)制作部的幾個(gè)工作崗位。一是生產(chǎn)部門經(jīng)理,主要負(fù)責(zé)部門的所有攝影棚的活動(dòng),雇傭工人和解雇工人,會(huì)見客戶,制作廣告,和監(jiān)控的部門費(fèi)用預(yù)算。二是主管負(fù)責(zé)職工的制作產(chǎn)品的座談會(huì)。三是技術(shù)總監(jiān)負(fù)責(zé)視頻的效果。四是劇務(wù)經(jīng)理負(fù)責(zé)演播室的工作。

1.細(xì)節(jié)理解題。根據(jù)The Production Department can be a fun place to work in a TV station.電視臺(tái)制作部是一個(gè)有趣的地方,故選A。

2.細(xì)節(jié)理解題。根據(jù)He or she oversees all activities in the studios, hires and fires workers, meets with customers who want to produce an advertisement,負(fù)責(zé)處理廣告,故選D。

3.細(xì)節(jié)理解題。根據(jù)In other words, if the Director calls for camera one, the Technical Director puts camera one on the air. 如果主任要攝影機(jī),技術(shù)總監(jiān)就給攝影機(jī),故選D。

考點(diǎn):文化類短文閱讀。

點(diǎn)評(píng):通過尋讀,確定“信息源”,找出問題的相關(guān)信息出自文章何處,跟哪些段落或句子有關(guān),仔細(xì)比較所給選項(xiàng)與文中細(xì)節(jié)一點(diǎn)一滴的區(qū)別,在準(zhǔn)確理解細(xì)節(jié)的前提下,最后確定最佳答案,這樣對(duì)細(xì)節(jié)理解題的處理基本做到了有根有據(jù),提高了判斷的正確性。

 

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