7. As a teacher you have to      (adjustment) your methods to suit the needs of slower children.

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  For a 400-year-old art form,opera had a bad fame:overweight actresses singing the words which were hard to understand in one of those romance languages you were supposed to learn in high school. And with tickets costing as much as $ 145 a perform?ance,opera-goers also had a certain appearance in people's mind:rich,well-dressed and old.  But now opera companies around the country are loosening their ties and kicking off their ^hoes in an attempt to keep opera alive and take it to a younger and not so wealthy audience.

  Opera producers have found that to attract this crowd,they need to associate opera with common peo?ple. That means no formal suits,old-style theatre or bank-breaking ticket prices. And because young people don't or won't come to the opera,companies are bring?ing the opera to them,giving performances in such usual places as parks,libraries and public schools.

  The Houston Grand Opera's choice is the public library,where it performs "mobile operas", shortened version of child-friendly operas. This summer's production is Hansel CreteL By performing smaller ver?sions of large productions,producers are able to make people interested while keeping costs at a reasonable level. The San Francisco Opera,which will be celebra?ting its 75th anniversary this year,is staging Cinderel?la free of charge,keeping costs down by employing students from its Young Artists' Training Programme.

1. Which of the following is the main idea of this pas?sage?

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   B. Opera is only for rich people.

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2. The underlined part in Paragraph 2 most probably means "      ”,

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   B. Opera is performed in a language difficult to understand.

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   D. Students enjoy performing operas very much.

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17. When he finished      ( do ) his homework,he went on     

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