If I ________ you,I ________ more attention to English idioms and phrases.

A.was; shall pay                          B.a(chǎn)m; will pay

C.would be; would pay                     D.were; would pay

 

【答案】

D

【解析】

試題分析:句意:如果我是你的話,我會(huì)更加注意英語短語和慣用語的。這是虛擬語氣,這是對(duì)現(xiàn)在的虛擬,從句用過去式,be 的過去式用were;主句用would+動(dòng)詞原形。故選D。

考點(diǎn):考查虛擬語氣的用法。

點(diǎn)評(píng):本題難度適中。虛擬語氣是高中階段的重要語法項(xiàng)目,需要考生牢記各種情況的虛擬語氣的謂語動(dòng)詞的形式,并要有分析理解語境的能力。

即學(xué)即練:If I were a bird, I_______ in the air.

A.was; shall  fly            B.a(chǎn)m; will  fly

C.would be; would  fly       D.were; could fly

解析:D。句意:如果我是一只小鳥,我就能在空中飛行。

 

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科目:高中英語 來源:2011屆北京市東城區(qū)高三下學(xué)期二模英語試卷 題型:完型填空

完型填空(共20小題;每小題1.5分,滿分30分)
閱讀下面短文,掌握其大意,然后從36—55各題所給的四個(gè)選項(xiàng)(A、B、C和D)中,選出最佳選項(xiàng),并在答題卡上涂黑。
“You will never walk again.You will have to use a wheelchair.” I heard his   36  fall heavily on my ears, numbing my soul.If I had never felt hopeless before, I felt hopeless then.
The car accident has left me unconscious.When   37  , I found both legs in casts(石膏).While I had other serious injuries, my    38  were my first concern.Working as a special needs teacher and busy and active by nature, I couldn’t imagine being   39  in a wheelchair
Lying in my bed, I wondered how I   40  give my ten-year-old son hope that mom would  41 He’d been cheerful on every visit, but I saw    42  in his eyes. He needed the ray of hope that I would not be in a wheelchair forever.
Just maybe, I thought, I could use this experience to teach him what to do when misfortune   43 
It didn’t take me long to become  44 with my limited movements and even with the pace the doctors were willing to go with me.I was determined to learn everything they showed me.
Every night in my private room, as soon as I knew I wouldn’t be   45 or discovered, I would move myself from the bed to the floor,  46  on to the bed rail(床欄桿) for dear life, and slowly putting my weight   47  my feet.After several weeks of such difficult   48 , my strength and confidence continued to    49  
It came the time to share my accomplishments with the person most    50   to me.One night, when I heard my son greet the nurses at the station, I    51  myself up.As he opened the door, I took a few small steps.   52  , he could only watch as I turned and started back to bed.All of the pain, the fear, and the struggle   53 as I heard the words I had longed to hear, “Mommy, you can walk!”
I am now able to walk alone, sometimes using a stick.I am able to take public transportation to shop and visit friends.My life has been blessed with many   54 of which I am proud.But none has ever brought me the satisfaction and joy   55  by those four little words of my son.

【小題1】
A.wordsB.reportC.explanationsD.decision
【小題2】
A.hitB.a(chǎn)wakenedC.a(chǎn)skedD.discovered
【小題3】
A.legsB.parentsC.a(chǎn)ctivitiesD.surroundings
【小題4】
A.placedB.caughtC.carriedD.stuck
【小題5】
A.mightB.shouldC.couldD.must
【小題6】
A.changeB.recoverC.a(chǎn)djustD.succeed
【小題7】
A.curiosityB.surpriseC.fearD.puzzle
【小題8】
A.strikesB.passesC.continuesD.remains
【小題9】
A.familiarB.strictC.discouragedD.impatient
【小題10】
A.punishedB.interruptedC.a(chǎn)cceptedD.protected
【小題11】
A.fallingB.settingC.holdingD.ping
【小題12】
A.throughB.inC.a(chǎn)tD.on
【小題13】
A.effortsB.lessonsC.a(chǎn)ctsD.curs
【小題14】
A.a(chǎn)ppearB.surviveC.buildD.a(chǎn)dd
【小題15】
A.usefulB.importantC.popularD.pleasant
【小題16】
A.openedB.dressedC.wokeD.dragged
【小題17】
A.DisappointedB.EmbarrassedC.FrightenedD.Shocked
【小題18】
A.fadedB.spreadC.backedD.sank
【小題19】
A.expectationsB.challengesC.a(chǎn)chievementsD.supports
【小題20】
A.provedB.offeredC.taughtD.suggested

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閱讀下面短文,掌握其大意,然后從36—55各題所給的四個(gè)選項(xiàng)(A、B、C和D)中,選出最佳選項(xiàng),并在答題卡上涂黑。

“You will never walk again.You will have to use a wheelchair.” I heard his   36   fall heavily on my ears, numbing my soul.If I had never felt hopeless before, I felt hopeless then.

The car accident has left me unconscious.When   37   , I found both legs in casts(石膏).While I had other serious injuries, my    38   were my first concern.Working as a special needs teacher and busy and active by nature, I couldn’t imagine being   39   in a wheelchair

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Just maybe, I thought, I could use this experience to teach him what to do when misfortune   43 

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I am now able to walk alone, sometimes using a stick.I am able to take public transportation to shop and visit friends.My life has been blessed with many   54  of which I am proud.But none has ever brought me the satisfaction and joy   55   by those four little words of my son.

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2.A.hit                B.a(chǎn)wakened         C.a(chǎn)sked            D.discovered

3.A.legs               B.parents          C.a(chǎn)ctivities       D.surroundings

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5.A.might              B.should           C.could            D.must

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13.A.efforts           B.lessons          C.a(chǎn)cts             D.curs

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My Way to Success

From the day I signed up for the Naumburg Competition, everything changed. I had made a decision to start again, to save my life, and that meant a 360-degree turnaround.
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Fortunately, the phone was okay and on the evening of May 27, I had the news from Lucy Rowan Mann of Naumburg. Thirteen of us had made it.
Talk about mixed emotions. I was thrilled to be among the thirteen; a group that included established violinists, some of whom had already made records. But it also meant I had to play the next day in the semifinals of the competition.
Everyone entering the competition had been given two lists of concertos. One was a list of standard repertory pieces. The other list was twentieth-century repertory. For our big competition piece, we were to choose from each list and play a movement from one in the semifinals, and a movement from the other in the finals─if we made it that far.
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My goal had been just passing the auditions, but now my thought pattern began to change. If I wanted a sliver of a chance of advancing again, my brain said, “Play your strong piece first.”
Logically, I should play the Tchaikovsky in the semifinals just to make it to the next stage. Who cared if that left me with a piece I probably wouldn't play as well in the finals of the competition? It'd be a miracle to get that far.
There wouldn't be more than seven violinists chosen for the final round, and if I were in the top seven of an international group, that was plenty good enough.
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There was a panel of eight judges. They had a piece of paper with my choices of the Tchaikovsky and the Prokofiev in front of them. “Which would you like to play?” they asked.
I said meekly, “Prokofiev.”
My brain and all the logic in the world had said, “Play your strong piece.” My heart said, “Go for it all. Play your weak piece now, save Tchaikovsky for the finals.”
Maybe I don't listen to logic so easily after all.
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I got through the first movement and Sandra said later my face was as white as snow. She said I was so tense, I was beyond shaking. Just a solid brick.
It was the best I'd ever played it. No memory slips at all. Technically, musically, it was there.
I finished it thinking, “Have I sold my soul for this? Is the devil going to visit me at midnight? How come it went so well?”
I didn't know why, but often I do my best under the worst of circumstances. I don't know if it's guts or a determination not to disappoint people. Who knows what it is, but it came through for me, and I thank God for that.
As the first movement ended, the judges said, “Thank you.” Then they asked for the Carmen Fantasy.
I turned and asked Sandy for an A, to retune, and later she said the blood was just rushing back into my face.
I whispered, “Sandy, I made it. I did it.”
“Yeah,” she whispered back, kiddingly, “too bad you didn't screw up. Maybe next time.”
At that point I didn't care if I did make the finals because I had played the Prokofiev so well. I was so proud of myself for coming through.
I needed a shot in the arm; that afternoon I got evicted. While I was at Merkin, my moped had blown up. For my landlord, that was the last straw.
What good news. I was completely broke and didn't have the next month's rent anyway. The landlord wanted me out that day. I said, “Please, can I have two days. I might get into the finals, can I please go through this first?”
I talked him into it, and got back to my place in time for the phone call. “Congratulations, Nadja,”“they said. “You have made the finals.”
I had achieved the ridiculously unlikely, and I had saved my best piece. Yet part of me was sorry. I wanted it to be over already. In the three days from the preliminaries to the semifinals, I lost eight pounds. I was so tired of the pressure.
There was a fellow who advanced to the finals with me, an old, good friend since Pre-College. Competition against friends is inevitable in music, but I never saw competition push a friendship out the window so quickly. By the day of the finals, I hated him and he hated me. Pressure was that intense.
The finals were held on May 29 at Carnegie Hall and open to the public. I was the fourth violinist of the morning, then there was a lunch break, and three more violinists in the afternoon.
I played my Tchaikovsky, Saint-Sa‘ns’s Havanaise, and Ravel's Tzigane for the judges: managers, famous violinists, teachers, and critics. I went on stage at five past eleven and finished at noon. Those fifty-five minutes seemed like three days.
I was so relieved when I finished playing; I was finished! It's impossible to say how happy I was to see the dressing room. I went out for lunch with my friends. It was like coming back from the grave. We laughed and joked and watched TV.
As I returned to Carnegie Hall to hear the other violinists, I realized I'd made a big mistake: they might ask for recalls. A recall is when they can't decide between two people and they want you to play again. It's been done; it's done all the time in competitions. No way was I in shape to go onstage and play again.
In the late afternoon, the competition was over. Everybody had finished playing. Quite luckily─no recalls.
The judges deliberated for an hour. The tension in the air was unbelievable. All the violinists were sitting with their little circle of friends. I had my few friends around me, but no one was saying much now.
Finally, the Naumburg Foundation president Robert Mann came on stage.
“It's always so difficult to choose ...” he began.
“Every year we hold this competition,” Robert Mann said. “And in the past, we've awarded three prizes. This year we've elected to only have one prize, the first prize.”
My heart sank. Nothing for me. Not even Miss Congeniality.
“We have found,” Mann went on, “that second place usually brings great dismay to the artist because they feel like a loser. We don't want anyone here to feel like a loser. Every finalist will receive five hundred dollars except the winner, who will receive three thousand dollars.”
And then he repeated how difficult it was to choose, how well everyone had played ...dah, dah, dah.
I was looking down at the floor.  
“The winner is ...”
And he said my name.
A friend next to me said, “Nadja, I think you won!”
I went numb. My friends pulled me up and pointed me toward the stage. It was a long walk because I had slipped into a seat in the back. Sitting up in front was my old friend. I would have to walk right past him and I was dreading it, but before I could, he got up and stopped me.
He threw his arms around me and I threw my arms around him. I kept telling him how sorry I was. I was holding him and started to cry, saying, “I'm sorry, I'm sorry, I'm sorry.” I didn't want to lose, but I really didn't want him to lose either. And he was holding me and saying, “Don't be sorry. I'm so proud of you.” It was over, and we would be friends again.
I took my bow, then ran to Juilliard. Ten blocks uptown, one block west, to give Miss DeLay the news. She could be proud of me now, too.
Suddenly, everything was clear. Playing the violin is what I'd do with my life. Heaven handed me a prize: “You've been through a lot, kid. Here's an international competition.”
Everything had changed when I prepared for the Naumburg, and now everything changed again. I made my first recording. Between September 1981 and May 1982, I played a hundred concerts in America, made one trip to Europe, then two months of summer festivals. And people asked me back.
There was a great deal of anxiety playing in Europe for the first time. But I was able to rely on my self-confidence to pull me through.
Self-confidence onstage doesn't mean a lack of nerves backstage. The stakes had increased. This wasn't practice anymore, this was my life. I'd stare into a dressing-room mirror and say, “Nadja, people have bought tickets, hired baby-sitters, you've got to calm down; go out there and prove yourself.”
Every night I'd prove myself again. My life work had truly begun

  1. 1.

    In a gesture to prepare for the competition, Nadja did all the following except _________

    1. A.
      preoccupying herself in practice
    2. B.
      trying to carry out her deeds secretly
    3. C.
      abandoning going to school for classes
    4. D.
      consuming the best food to get enough energy
  2. 2.

    How many violinists does the passage mention advanced to the finals?

    1. A.
      Four
    2. B.
      Five
    3. C.
      Six
    4. D.
      Seven
  3. 3.

    After Nadja finished playing at the finals, she went out for a while and when she came back to hear the other violinists she realized she had made a mistake because _________

    1. A.
      she forgot that there was going to be a recall
    2. B.
      she didn’t get hold of the permission to leave
    3. C.
      chances were that she had to replay and she was off guard
    4. D.
      there was another play she had to take part in in the afternoon

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